Showing posts with label Shirley Manson. Show all posts
Showing posts with label Shirley Manson. Show all posts

Friday, 2 September 2011

Garbage - Best Live Act?


Isn’t it funny how some things just sort of creep up on you with all the impetus of an unstoppable, developing realisation.  Since the burgeoning force that is YouTube hit our computer screens I’ve been diving in and out watching clips of favourite bands like there’s no tomorrow, but when it comes to a bit of live rock ‘n’ roll, the type where you can turn the volume up to 11 and shut the world out for four of five minutes, I find that I am returning more and more to the live performances of one band; Garbage.

It begs the question; are they one of the world’s greatest live bands?  I think they probably are, but I doubt they would feature on any ad hoc list should a consensus of the great general public be taken.  I’ve not turned up one bad performance from Shirley and the Boys.  I’ve said before that I consider Shirley Manson one of the best live singers in rock and until I hear a really bad performance from her, I shall stick to this view.  The band members are no slouches either.

The band is a classic example of a deliberate sleight of hand.  Ask yourself: what do a bunch of session musicians, that is, Butch Vid (drums), Steve Marker (guitar) and Duke Erickson (guitar, keyboards & bass) do when they want to form a band and the following is apparent?

  1. They are slightly over the hill age-wise to be pop stars
  2. Let’s be kind, they are photo-genically challenged, and
  3. They have a need to put out some killer material but can’t sing for toffee

Answer: they employ a fiery, feisty extremely photogenic Scottish singer, 10 years younger than them, to hide behind, to divert the attention of the paying public and of course, to sing.  The thing is, the guys are extremely competent, experienced rock musicians and adding Ms Manson has just put a cherry on an already excellent cake.

I bought their first two albums, ‘Garbage’ and ‘Version 2.0’ in the mid-90s and played them to death but curiously never bought their later work but that has now changed with the purchase of ‘Bleed Like Me’ from 2005.  It’s a cracker – what took me so long?  It may almost be their best album.

Here’s a track from the album, ‘Why Do You Love Me’, performed at Glastonbury 2005.  This whole set is worth seeking out on YouTube as the band is on top form.  If anyone knows how Shirley can manage to keep singing without being out of breath after all that running around, please let me know.  Perhaps she IS a cyborg after all…


Friday, 27 November 2009

A Song For Me


It has long been a courtship ritual that all couples find themselves at a social gathering at least once in those formative years where they manage to make fools of themselves during the three minutes that it takes to play a pop song and forever after that song becomes ‘their tune’. Subsequent plays of their tune brings forth a rush of either cringing embarrassment or fond memory dependant upon what went on during the period.


If couples can have a song all to themselves, then why not individuals? Of course everybody has favourite songs but I’m thinking here more of a sort of signature tune that represents the person rather than just a once liked melody. If truth be told mine would probably be Garbage’s ‘Only Happy When it Rains’. It just seems so right in all sorts of ways.

First, it has a quirky song structure which is quite basic yet a bit mystifying. It only has two musical sections in it which alternate backward and forwards in a ABAB pattern which under normal circumstances would be labelled ‘verse’ and ‘chorus’ yet it is not really clear which is which. I love the ambiguity of it and the fact that it cannot be easily pigeon-holed. It feeds my appetite for the strange and off-kilter in art.

I’m only happy when it rains
I’m only happy when it’s complicated
And though I know you can’t appreciate it
I’m only happy when it rains

Second, the lyric is gloriously melancholic, born of singer Shirley Manson’s own well-documented depression, yet has an intrinsic uplifting quality and that is its utter open-wound honesty. As a true Piscean melancholic dreamer myself, I embrace the sentiments entirely and love the pragmatic anti-optimistic message. In fact its wry observations make me smile with recognition and for that alone it is worth its weight in medication as a pick-me-up. I recommend it unreservedly as despite it all, I always feel better for hearing it.

You know I love it when the news is bad
Why it feels so good to feel so sad
I’m only happy when it rains

And lastly, it is true: I’m only happy when it rains. Well, not exactly, but I really don’t like the sun in that sort of blisteringly hot all day every day holiday type thing. It makes me sweat and turns me lobster colour. I like the British climate and could never live anywhere where it is sunny all day.

I only smile in the dark
My only comfort is the night gone black
I didn’t accidentally tell you that
I’m only happy when it rains

Naturally, it helps that it has a great melody and has an edgy arrangement based around swirling guitars and thumping drums. The sledgehammer treatment surrounding Manson’s beautifully judged vocals lift it out from the usual pop mush of the charts and put it in a place where I am happy to seek it out. In fact Manson is one of the best live singers I know. She has great pitch control and bags of style. Sing it girl!

I’m only happy when it rains
You want to hear about my new obsession
I’m riding high upon a deep depression
I’m only happy when it rains

Yes, it’ll do for me.