First up, you pick
a few popular titles so as to establish a rapport with your enquirer (Bohemian
Rhapsody, We Are the Champions etc), then you add a few early titles so as to
show that you’re not a Johnny-come-lately to the band (Seven Seas of Rye or
anything earlier if you dare) and then pick a few obscurities to round off the
list just to prove that you know all their albums and not just the
singles. Job done.
But do you actually
like any of these songs? At the time,
you may think so but I’ll wager not all of them are true favourites. The way to test this assumption is to create
a playlist of about a dozen of these so-called favourites and then play them
every day for weeks. Very soon, you begin
to realise that there are some on the list that you can’t wait to get to and
others where your finger is itching to press the skip button.
I discovered this
phenomenon when I complied what I thought were my very bestest loved Smiths
songs into a playlist of about 15 culled mainly from ‘Hatful of Hollow’ and
their four studio albums. After a few
days I’d already pared this list down to 10 and after a few more it was down to
about half a dozen. Interestingly, many
of those songs that I would’ve sworn blind were my all-time favs fell off the
list early on – and all of them were from ‘Hatful of Hollow’, still my
favourite Smiths album.
Finally, the list
stabilised for some days and comprised the following five:
- Hand in
Glove
- The
Headmaster Ritual
- I Want the
One I Can’t Have
- Bigmouth
Strikes Again
- Stop Me if
You Think You’ve Heard This One Before
I think it is safe
to say that these are my true favourites, born of trial by fire and Ipod
playlist, but whether I would’ve come up with this list before is very
debateable. Interestingly, two of these
songs have been covered by others and there is no doubt that the act of a new
interpretation has elevated them in my estimation as a different side to their
nature has been revealed. The two in
question are ‘Hand in Glove’ covered by Sandie Shaw and ‘Stop Me…’ covered by
Sarah Blackwood of Dubstar and both show how the songs can live outside of the
unique Morrissey/Marr environment.
I must try and
remember these the next time I’m asked.
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