As a long time
aficionado of the Progrock band, Curved Air, I am mightily relieved to report
that my eye-teeth are all but safe. No
longer are they under threat of exchange for a sample of dodgy live concert
footage from their peak period between 1970 and 1972 as freshly arrived from a
well known on-line retailer is a new DVD; ‘Curved Air – The Lost Broadcasts’.
As far as I am
aware, this is one of only two videos in existence which captures them during
their golden period even if it is not real concert footage and it has its own
idiosyncrasies. The good news is that
the two sessions on this disk, recorded in March and September 1971 for the
German TV programme, Beat Club, comprise a total of five songs from ‘Air Conditioning’
and ‘Second Album’ including ‘Back Street Luv’ and the epic ‘Piece of
Mind’. The bad news is that for the
second broadcast, session drummer Barry deSouza fills in for regular drummer,
Florian Pilkington-Miksa and the obsession with weird TV effects (1971-stylee)
with blue screen backdrops and the like, is mildly irritating. However, the only other video from this
period, from a 1972 Belgian TV programme, suffers even more from irritating
effects and cutaways, so mustn’t grumble.
So in the scheme of
things, this is gold dust. Looking
distressingly young – they were all about 22 at the time – the band
demonstrates just what a talented lot they were. The two aspects that drew me to them in the
first place are still mesmerisingly magnetic.
First, the combination of Darryl Way’s electric violin and Francis
Monkman’s (at the time) groundbreaking use of the early VCS3 synthesiser still
has an oddness about it that time has not diminished.
Second is the
female vocals of Sonja Kristina Linwood, an asset that most rock bands of the
day did not possess and which added a third unexpected layer to the overall
sound. In fact, her performance is even
better than I remember from numerous 70s concerts, especially on the atonally
difficult melody of ‘Piece of Mind’ where her confidence is awesome.
Of course, the
hairstyles and clothes are laughable (whatever happened to velvet loons?) but
the musicianship is first rate as one would expect from a band of this
vintage. It would only be a few years
before this type of competency would be derided by the first wave of punk. Nevertheless, with only five songs on offer,
it’s a shame that they chose to include Way’s elongated party piece, ‘Vivaldi’,
a mass of electronic effects and cleverness, which only just works on stage but
falls a bit flat on screen. But we do
have ‘Back Street Luv’ and mercifully in it’s original form with Sonja’s cool
haunted vocal rather than the histrionics we got a few years later. And we do get a
slightly-truncated-from-12-minutes version of their masterpiece, ‘Piece of
Mind’ complete with spoken verses from TS Eliot’s ‘Wasteland’. Magical.
Admittedly, this is
probably no more than a curiosity to most viewers, a rather dated snapshot of
another time and place, but to fans, this is indispensable.
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